During the Soul Train Awards this year, Leah LaBelle hit the stage to sing Teena Marie’s “Square Biz”, and Twitter immediately lit up with messages from people who were impressed by her singing and wanted to know exactly who she was. To catch you up to speed, Leah Labelle is a soulful artist who had a brief stint on the third season of American Idol, however, she was given her big break after Pharrell Williams found her on Youtube. He brought her to the attention of Jermaine Dupri and the two powerhouse producers are now co-producing her debut album. This month, she’s featured in the new issue of PYNK Magazine. Inside, she dishes on her biggest musical influence growing up, how she was discovered on Youtube and why she decided to sing R&B. Peep a few excerpts and her full spread below:
On What Made Her Want To Sing R&B
“My mom listened to a lot of jazz growing up, but once I got into the gospel part—being around the other girls in the choir, I think I became more aware of R&B and that’s where my heart was drawn. My heart didn’t beat as fast with other music, but when I heard R&B, it was something about it that made me feel a lot different. I live in my feelings. So, I was happy to be able to connect in that way.”
On Her Biggest Musical Influence
“Lauryn Hill was my biggest influence. After I saw the movie [Sister Act II] and she came out with the Fugees and then ‘The Score’ [Fugee’s album]—I was still too young to have the album, but I snuck. My mom found it and took it and I still went and found another one somewhere but she was everything to me. When ‘The Miseducation [of Lauryn Hill]’ came out, I was highly inspired by everything she represented at the time when she was at her peak. Her lyrics, her melodies, her stories, her voice, her tone, her runs, everything about her—I studied her. I thought I was her at one point. She was really my inspiration in forming my sound.”
ARTST TLK Episode 2 With David Salle & KAWS
Pharrell Williams interviews internationally renowned artists David Salle, known best for helping define postmodern sensibility, and street artist-turned-sculptor and limited edition toy & clothing designer, KAWS. A new take on the talk show format hosted by award winning producer, artist, designer, and businessman Pharrell Williams. Each episode will feature two special guests at different career stages to discuss their work, motivations, inspirations, and philosophies.
By Charley Lanyon. Joyce’s Central boutique was even more crowded than usual. The throng of high-fashion hang-abouts, some browsing, some buying, gave the impression that a secret sale was on. But many were carrying large coffee-table books, there was some semblance of a line forming and then black-suited bodyguards arrived. An expectant hush fell over the crowd as the lift indicator blinked red: Pharrell Williams had arrived. The rapper, producer and fashion designer had come to sign copies of his new coffee-table book, Pharrell: Places and Spaces I’ve Been, featuring conversations between Pharrell and some of the luminaries who have inspired him, including US rapper Jay-Z, Japanese contemporary artist Takashi Murakami and German music producer Hans Zimmer.
On Tuesday night, more than 50 people stood in line for the chance of an autograph. Pharrell, who was named the world’s best-dressed man by Esquire magazine in 2005, was looking good if a bit sleepy behind designer sunglasses with a knit cap on his head. His drowsiness was understandable; he had arrived just the day before and was jet-lagged. Asked which of his favourite Hong Kong hot spots he was looking forward to frequenting, Pharrell answered slowly: “I think the experience has just been grand across the board. I’m in a state of delirium right now. It’s a mixture of jet lag and not really knowing what is real and what’s not, but it’s amazing. I’m very thankful.” From the looks on the faces of his many Hong Kong fans, that was exactly how they were feeling as well.
Eight years after ‘Idol,’ Leah LaBelle to debut solo album A few years ago, after a hiatus from music, Leah LaBelle realized that music was indeed what she was supposed to do. “Fans were writing on my MySpace asking if I was still singing,” LaBelle said. “I started making YouTube videos for them to let them know that I still was.” Now, LaBelle, 26, is working on her debut album with star producers Pharrell Williams and Jermaine Dupri. No stranger to rough times — LaBelle’s parents fled communist Bulgaria for Canada right before she was born (she was raised in Seattle) — LaBelle knows that the music business is one that is difficult to break into.
“I did [‘American Idol’] because I was in Seattle,” LaBelle said. “I was young and just wanted to see what happened.” At the age of 17, LaBelle made it to the top 12 on Season 3 of “American Idol” in 2004, the same season that launched Chicago native Jennifer Hudson’s career. LaBelle, though, wasn’t destined for immediate stardom. She said it just wasn’t her time to break through at that young age. “I still had to finish high school,” LaBelle said. “It was a matter of getting out there and pursuing the right people. It’s a grind this music industry. For me, it was just timing.” Even though a post-“Idol” breakthrough wasn’t in the cards, it didn’t take long for people to start taking notice of LaBelle’s voice and look.
Hitmaker Pharrell Williams is hoping to make a killing in the property market in Miami, Florida after putting the penthouse he bought in 2007 on the market. The singer/producer bought the pad for $12.5 million (£7.8 million) and it’s up for sale five years later for $16.8 million (£10.5 million), according to property website RealEstalker.com.
The high-rise South Beach penthouse comes with five bedrooms, a home theatre and breathtaking views of Miami and the ocean. Insiders claim Williams housed his impressive sneaker and art collection at his Miami pad and he also used it as a showroom of sorts for his furniture designs.
Tokyo’s DJ Daruma began rising in Tokyo’s hip-hop scene at age 15 as a dancer in the Digital Junkies crew. After taking an interest in house music, he translated elements of the two musical genres into a t-shirt line called HECTIC. Daruma and his crew went on to form the brand Roc Star before finally developing his defining brand Crepeman, a brand devoted to creating designs “for tomorrow.”
Limited Edition Moog Phatty with presets by Chad Hugo. While most of you may be familiar with Chad Hugo as one half of super producers The Neptunes and member of the group N*E*R*D, others of you may be familiar with his current DJ duo called Missile Command which includes Daniel Biltmore. What you may not know yet about Chad Hugo is that he was asked by Moog to make sounds for their new all white re-issued Slim Phatty analog synthesizers.
Hugo pulls influences from his youth in Virginia Beach to his professional work in the studio to craft the original presets included on the new white Slim Phatty. The names of the synth sounds range from collaborators like Daniel Biltmore and Kevin Lamb to streets and bars in the Virginia Beach area. Some of the names are pure fun and nostalgic like Hamburglar and Game Over while others recall personal memories for Hugo like Puttu Grind and 3 Hour Lunch. While Hugo went through a number of presets, for this video we tried to include a selection of the most unique sounds as well as Hugo’s unique and quite endearing sense of humor. If you need more sounds to whet your appetite visit the Moog website.
Here is finally the video footage of Leah LaBelle performing Teena Marie’s ‘Square Biz’ tune at the Soul Train Awards. Check the part at 2:50 on the video below. You can download the MP3 of the performance below as well. The lovely Leah LaBelle won her first award on November 10th at the Soul Train Award winning The Centric Soul Train Award for Best Newcomer, her first nomination and her first win, and we finally get to see her performance from that night.
“Yeah, my first award. My first nomination, my first ever everything, first time performing at an awards show, so it’s a night of firsts for me. I’m super excited and the energy in the air is so good right now, so I’m happy. Your look amazing tonight, very classy but spikes hanging from your ear—definitely original. How do you approach your style? I just wanted to do something that just felt good. Me, the way I dress, I just dress from feeling and so it’s a little class meets street and whatever. However you feel. Classy, casual… comfort at the same time, still being fly.”
Leah LaBelle – Square Biz (Teena Marie Cover) (2:50)
Leah LaBelle – Square Biz (Teena Marie Cover) (12′)
Cris Cab – Paradise (On Earth) (12′)
Oakland-based artist Oree Originol hits the streets with his hand-painted paste-ups promoting the labeling of GMOs. He explains why artists are in a unique position and have a responsibility to spread the word about this cause beyond an often biased corporate media.
By Joe Sweeney. If you needed to understand the appeal of singer, songwriter, R&B sexpot and “Growing Pains” cast member spawn Robin Thicke, his performance of the song “Teach U A Lesson” on Saturday night was all it took. As his four-piece band laid down the track’s suggestive quiet storm groove to the delight of a sparse-yet-boisterous UB Center For the Arts crowd, Thicke gave an introduction that acknowledged the barrage of flimsy academic pick-up lines that we were about to endure. “Hold on, let me get into character,” he joked, subsequently singing the hell out of lines like, “You can work it off/I’ll give you extra credit.”
“Teach U A Lesson” didn’t succeed solely because of that intro – the band’s nuanced playing and Thicke’s spot-on falsetto had something to do with it – but by starting the proceedings with a smirk, all of that lyrical castor oil ended up tasting a lot like sugar. By the time it was over, I was fully aware that I had been sweet-talked into loving a clumsily written, borderline-creepy song, and there was nothing I could do about it. Decked out in a tailored, gray three-piece suit and perfectly coiffed mini-pompadour, Thicke proved himself a natural crowd-pleaser with a deep affection for R&B’s forefathers, kind of like if Michael Bublé grew up loving Marvin Gaye and Stevie Wonder instead of Frank Sinatra and Dean Martin.
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