For those of you who don’t already know, Chester French are Star Trak’s latest signing. A band consisting of 2 Harvard Gradutates, Maxwell Drummey & D. A. Wallach. But there’s more to them than your average stereotypical grad student. They make music incorporating all genres and era’s resulting in something truely unique. Rolling Stones has these guys down as artists to look out for, they recently rocked out at SXSW and their own showcase in New York sold out in less than a day. The guys have taken some time out to talk to us. I posed them all of your questions, as well as a few of my own. So let’s get Chesterized.
Hey D. A, and Maxwell. First things first, how have you been?
Okay, let’s start this interview from the beginning. We all know that you met in college. But what is it that made you both decide that you wanted to make music together?
DA: We both had a sense of humor about it when we met, as did the other three guys who were in the original group. Being in a band was a lot of fun as a freshman in college. Then as we stumbled into the process of writing and recording songs we discovered how rewarding that process could be.
Max: I knew I wanted to make music, and working as a duo seemed to produce the best music.
How did it end up going from a full band, to just the two of you?
DA: Max and I wanted to take things seriously and pursue music full time. The other dudes wanted to do other things. We’re still all friends.
What was the music like back then? Are we ever going to hear some of the material from those early days?
DA: The music back then was really weird, but we thought it was no-brainer mainstream pop. Major influences were white British soul crooners, Roy Orbison, and Jorge Bengor. I think it would take a lot of convincing for us to put out those records in any official way but they may be floating around. We sold a few hundred copies of our First EP on the street in the summer after freshman year.
You both just graduated from a well accredited Ivy League college. What ultimately made you decide to change your interest for your futures? Was the college degree a backup plan? Was the music?
DA: We always pursued the music during college with the hope of continuing once we graduated. The college degree was more of an insurance policy than a backup plan.
Max: At the end of the day, given the opportunity, it’s hard to turn down that kind of opportunity. I never really saw college and music as two separate tracks. I knew I wanted to do music, and I knew I would be incredibly smart if I finished college. Like super-genius smart.
What has happened in those 3-4years between starting out and being signed that has helped define who you are as a band? Surely there must have been some defining Chester French moments where you realised “we have what it takes, we can do this and take it all the way”?
DA: I remember that we were in the studio at a point sophomore year recording a song that we eventually cut from the album. We had worked on it for a couple of weeks and when Max finally laid down this guitar outro to the track I think we both had the realization that we were capable of doing some really slick shit on record if we continued to dedicate ourselves to it. It was sort of the first time when we had made something that sounded in any way “professional.”
pharrell-and-chad-aka-the-nepes.jpgMax: It was pretty nuts to sit in a room with Pharrell and Chad for the first time and have the two of them tell us they believed in our music. Those are two guys we’ve looked up to for a long time. Their taste speaks for itself. If we can trick them, I figure we’ve probably done something cool.
You chose Star Trak over offers from many other labels. What made you sign a deal with a label that has predominently hip-hop acts? and what do you think it is that made them want to sign you?
DA: We totally related to Pharrell’s and Chad’s understandings of music and shared a common view of our project’s possibilities. It’s always been cool to us that the label represents a variety of styles and sounds.
Were you a fan of Pharrell & Chad’s before signing the deal?
Max: O fasho.
You’ve been on record as saying that you did not want The Neptunes to produce on your album as you both wanted it to be a pure Chester French record. That shows a lot of integrity that artists don’t have these days…A: How did The Neptunes respond to that? and B: How do you feel about artists/groups/bands who rely heavily on super-producers to make them hit songs?
DA: A: They totally understood our perspective and, I think, also preferred that we did things ourselves. We’ve been grateful for their willingness to give us their advice and perspective on the music, though; you couldn’t ask for a better sounding board. B: Every artist has different talents and there have been plenty of excellent records made through collaborations between singers and producers. That said, it’s a bit disheartening to me when you see artists coming out who bring next to nothing to their music and let A&R teams guide their creative processes.
Max: Pharrell and Chad definitely understand and respect our desire to keep our project ours. At the same time, they’re down to give us any advice we need. Either way, I don’t have a problem with artists using super-producers to make them hit songs, as long as they are making something unique and not just milking somebody else’s sound. What bothers me is when artists and producers try to make hits (or any music) without making anything actually creative.
That being said, we have seen photographs of you in the studio with Pharrell & Chad. Can you reveal any details of those collaborations?
DA: We cannot.
Max: Sometimes we’re just hanging out. Sometimes we’re doing extremely important, secret shit.
How was it working side by side with the heads of your label?
DA: Lot of fun.
There are a lot of Parallels between yourselves & Chad/Pharrell. Do you think the two of you will ever venture into production for other people, as they have done?
DA: Absolutely, and we have already started to work on some songs for other artists.
While we’re on the subject of production. Let’s start talking about the music itself. What instruments do you each play?
DA: Drums and my voice.
Max: Guitar, bass, keys, drums, programming, and vocals mainly. On the record I play little bits of marimbas, violin, timpani, theremin, and all types of different stuff. I do the arranging for the orchestral stuff as well.
What’s the process that you guys go through when creating a song?
DA: We generally write the basic harmonic and melodic foundation first, usually on guitar/vocals or piano/vocals. Once we have all the sections and the structure put together we go in the studio and lay it down. Lyrics and vocals usually come last.
Max: I’ve got all type of demos on my computer. It’s largely a process of linking those together to make a coherent song. The arrangements fall into place from there.
What are your musical interests and your major influences to your style? And what exactly do you do to differentiate yourselves from those artists?
DA: We’ve said that two significant influences are The Beatles and Outkast, but the inspiration that they provide ends up being mixed with ideas from many other places. You’re always going to be standing on the shoulders of the folks before you. The goal is to put a creative spin on it and hopefully add something new to the equation. That’s what we’re trying to do.
Max: We both like all types of music. I try to learn from everything I hear. Since we’re not just aping a small number or certain type of artists, it’s not hard to differentiate ourselves from any one of them.
Did you have a specific theme or goal in mind when putting together the album?
DA: To make it a really exciting and cohesive listening experience.
Max: People seem to have given up on making entire albums of good music. I don’t know that there was ever a time where most people did that, but that have been some times where some people did that. Not a lot of people try to make great albums anymore. iTunes proves that. If we’re going to make an album, we’re going to care about every second of music on it.
What are you hoping to achieve with “Love The Future”?
DA: We hope people dig it and come to our shows.
Max: Money. Just tons of money. Money is the only reason to do anything. Ever.
With illegal downloading hurting music sales, artists have to think of new ways to persuade people to buy their music, and I hear that you have been working with designer Johnny Cupcakes on some clever marketing ploys. How is that going?
DA: We haven’t been officially working with Johnny but he’s a great friend of ours and recently spent some time staying with us in LA. He’s one of the most creative folks we know so it’s always fun to brainstorm with him and hopefully we shall collaborate before long.
What are your thoughts on illegally downloading music?
DA: People do it and always will do it as long as artists/labels don’t give them a compelling reason to pay 15 dollars instead.
Max: I’m in favor of sharing.
You recently featured on the Idle Warship single “Fall Back”. I want to talk about that for a moment. Firstly how did that collaboration come to fruition?
DA: We had been meaning to do something with Talib for several months. We ended up with a free night in NYC and went in the studio. Earlier that day Max and I had the idea of doing a song telling Hillary to drop out of the race, so we suggested it to Kweli and ran with it.
The song is unashamedly aimed at the Clinton party. Is politics something you are heavily interested in?
DA: I used to be much more interested in politics than I now am, but I try to stay up on what’s happening.
Max: If you want to vote, you should inform yourself. Otherwise you are making an uninformed decision, which is bad. I want to vote.
Did you ever consider that doing something so controversial this early in your career might have a negative effect?
DA: Among our fans I doubt that it’s too controversial, especially since the song is meant to be funny. And if people disagree with us there’s no reason they can’t still enjoy our music or even that song.
Max: I’m generally not so afraid of my own opinion. Regardless, it’s insane to me what creates controversy in Washington and in American popular media in general. If people want to get upset about something in the world, which is a desire I respect, they have plenty of better places to look than this song.
The song appears to have been successful in getting it’s message across, appearing in blogs and emails all over the world, and even on CNN. Did you ever expect the song to be taken that seriously? and how does it feel to know that you may have influenced someones vote?
DA: I don’t think we expected it to be taken suuuper seriously. We meant it to be entertaining and timely. If we influenced someone to vote for Obama. I’m all for that given the options.
Another artist you’ve recently worked with is Common. How much input did you have when it came to that collaboration?
DA: Pharrell had written the song, but we came in and Chesterized it.
Max: It was basically Pharrell’s tracks, but we touched it tenderly.
Both aforementioned collaborations have been between you and rap artists. Both Common and Talib Kweli have a mainly black rap-oriented fanbase some of whom might view you (Chester French), as “outsiders”. And possibly vice versa, some your fans may think that Common & Idle Warship are “ousiders”. Do you feel as though the invasion of an art form by “outsiders”, does anything to help the sound?
DA: I doubt that either Talib or Common has a mainly black fanbase, or that our fans would ever see them as “outsiders.” I think our view can be reduced to the idea that people are people and music is music. They’re great artists whose work we’ve admired and they’ve been generous enough to let us be a part of their music, which is a great honor. I’d hate to have anyone think of that as an “invasion” from either direction!
Max: It’s been frustrating to me to see how persistent people can be with dichotomizing black and white music (and black and white people). Despite an obvious history in this country (and elsewhere) of segregation and cultural exclusion, I think in the span of our lives it’s become clear to us and most of our peers that it’s cool to hang out with and work with different types of people. This is especially true in music, where there is a long (if sporadic) history of collaboration and dialogue between not just black and white music but all types of music. Having grown up with that, we try to make music that isn’t an insider/outsider type of thing. It’s way more about inclusion than exclusion.
On a lighter note, you were touring a lot earlier this year. How has that experience been?
Max: Super dope.
How was it seeing a crowd of strangers reacting to your songs?
Max: Extremely erotic. It’s really exciting to get to show people these songs we’ve had recordings of for quite some time but still haven’t put out anywhere.
There’s so much more i could ask, but this is getting too long so i’ll wrap it up *laughs*. What can we expect from your Album?
Max: It’s extremely good. And consistent. By any standard. Let’s leave it at that.
Why the title “Love The Future” ?
Max: It was a revolutionary slogan of Kim Il Sung, Kim Jong Il’s dad/predecessor in North Korea…
Do you know when the album will be released?
What else can we expect from the two of you in the future?
DA: More music.
Is there anything you’d like to say to the people out there?
DA: Thank you for your support and please help spread the world. We need all the help that we can get right now so tell all of your friends about us!
Max: Please tell friends, enemies, family, the internet etc.
I’d like to say thanks on behalf of myself, mika and jean-luc. Your support for our site has been unbelivable, and i hope you like the things we’ve done for you too. I look forward to working together again soon…
DA: Thank you all for your help. You’ve been steadfast!
Max: Definitely. Thank you guys so much for all the love.
Chester French are featured on the front page of the Imeem Music Channel and are featured along with Jesse McCartney, Kidz In The Hall and Scarlett Johansson. There is also a Chester French Imeem Playlist, which features a mixtape of some of Chester French favorite songs with audio introductions. Track 2 is especially sweet since it features Chester French’s cover version of the Idle Race’s song Birthday. Check Out The Tune, It’s Good!
The other hot exclusive Chester French goodie on their Imeem Page is a video of their acoustic version of “Not Over You,” which they filmed for Imeem’s “The Hive“. If you’re on Imeem, please go to their page imeem.com/chesterfrench
Having yet releases Usher’s new album “Here I Stand“, Usher already thought of a repackaged album. He revealed the idea in an interview with The Daily Mail Newspaper. On the interview the R ‘n’ B singer added that he plans to collaborate with Justin Timberlake on a re-released version of his new album.
We’re talking about doing something together for the repackaging of my album. If we ever worked together, though, it would be the biggest record ever.” Justin & Usher already collaborated together on the studio version of Sweet Lies produced by The Neptunes in 2003 but the track has never been released.
Gemstones who is signed to “1st & 15th” which is Lupe Fiasco’s Label has recently been interviewed by sixshot.com where he has been asked about how Lupe kind of gets put in a box with Kanye and Pharrell, that whole hipster, skateboarding thing. “They say if you wanna know where you’re going in life then look who you’re around. They say birds of a feather flock together. That’s who I roll with and that’s who I break bread with.
I make similar music but when I drop the album I don’t know if that’s where they’ll put me. Not that that’s a bad place to sit because Kanye, Pharrell, and Lupe are all real successful. I would hope that they would sit me alone because I wanna be different. I wanna be left of everybody else. If they’re left then I wanna go right. I’m my own entity but I would be cool with a Kanye, Lupe, or Pharrell box.”
01 – Mr. Me Too
02 – Grindin’
03 – Wamp Wamp (What It Do)
04 – Chinese New Year
05 – 20k Money Making Brothers On The Corner
06 – Ride Around Shining
07 – Cot Damn feat. Ab Liva
08 – Keys Open Doors
09 – What Happened To That Boy
10 – I Got It 4 Cheap
11 – Momma, I’m So Sorry
According to mtv.com, Ashanti’s second single is produced by The Neptunes and features Robin Thicke & Pharrell on it, but it sounds like a Thicke production. Check out the snippet for yourself.
Ashanti – The Declaration (Due June 3rd)
01 – Intro
02 – The Way That I Love You
03 – You’re Gonna Miss
04 – So Over You
05 – Struggle
06 – Girlfriend
07 – Things You Make Me Do feat. Robin Thicke
08 – In These Streets
09 – Good Good
10 – Body On Me
11 – Mother
12 – Shine
13 – The Declaration/Outro
Check out the snippet of the Wayne Thicke collabo
“Tie My Hands”
Lil’ Wayne – Tha Carter III (2008)
01 – 3Peat
02 – Mr. Carter feat. Jay-Z
03 – A Milli
04 – Got Money feat, T-Pain
05 – Comfortable feat. Babyface
06 – Phone Home
07 – Dr. Carter
08 – Tie My Hands feat. Robin Thicke
09 – Shoot Me Down feat. D. Smih
10 – Play’n With Fire feat. Betty Wright
11 – Lollipop feat. Static Major
12 – L. A. feat. Brisco & Busta Rhymes
13 – Good Girl Gone Bad
14 – You Ain’t Got Nuthin’ On Me feat. Fabolous & Juelz Santana
15 – Let The Beat Build
16 – Whip It
17 – Misunderstood
The rap world may be filled with clones retracing each other’s steps. But with the release of their third album, “Seeing Sounds”, Shay, Chad and Pharrell want to show the world how boundaries can be your worst enemy. Hip Hops full of followers. From one song to the next, labels and artists have made money, hos and clothes as synonymous with the culture as the microphone itself. Maybe that’s why N¤E¤R¤D and their unique mashup of genres, fashion and swagger confuses the masses so much. Since their debut. 02’s “In Search Of…” the combination of production heavyweights The Neptunes with their childhood friend Shay Haley have been shining examples of Hip-Hop’s relentless creativity.
In fact, the producers of the crew made their names ring throughout popular culture by crafting the electro-infused soundscapes for Hip-Hoppers like Jay-Z, Nelly and Snoop Dogg abd pop acts like Gwen Stefani and Justin Timberlake. Exhibiting a frealessness rarely shown in the industry, the collective remains unafraid to make music that some heads wouldn’t classify as Hip-Hop. In doing this N¤E¤R¤D has found themselves quickly becoming the face of a new culture – one that is devoid of traditional barriers and rules.
In a landscape that is currently seeing themass merging of genres with bands like “Gym Class Heroes” and “Linkin Park”, along with the emergence of skater culture and 80’s fashion, the N¤E¤R¤D blueprint that was once considered weird, now seems groundbreaking. As they gear up for the Kanye West headlined “Glow In The Dark Tour” and again call upon their cult fan base with their new single “Everyone Nose”, the brothers of N¤E¤R¤D breaking down how they do their thing in hopes that you will find the strength to do yours.
Finally, my favourite, N¤E¤R¤D took the stage with a live band, two sets of drums, Chad Hugo on the keyboard, and Shay and Pharrell Williams doing vocals. This is it, this is what I was waiting for, and it was exactly what I expected. There was so much energy, dancing, yelling, screaming, and everything that Pharrell did, the crowd did. At one point, he asked all the people in the lawn section to jump with their umbrellas, and they all did. Amazed at the Canadian love for the group, they were asked to do it again so they could get in tape. Now that’s love!
While performing the song “Spaz”, there was a “surprise guest” Chris Brown, which to me was not much of surprise being that he is dating “good friends” with R&B singer Rihanna who also was on the show. During the song “Everyone Nose“, Pharrell brought a fan from the audience on stage. Man, how jealous was I! Later, to witness even more girl fans were being brought on stage during the song “She Wants To Move”, and Pharrell asking the girls to show how Canadian girls really get down. At the end of their set, Pharrell stuck around and shook hands with fans that were within reach of the stage, he is truly a great performer and seems to be very humble.
Meet N¤E¤R¤D Sunday June 1, 2008 at 2:00pm at Special Sauce in New York. Pre-order Seeing Sounds on CD or LP at the Looney Tunes Table at Special Sauce on Sunday June 1st beginning at 11:00am. The band will be meeting fans who pre-order the CD after their performance.
Special Sauce Skate Shop
37 E. Main Street
Bay Shore, NY 11706
Phil Collins says he was “flattered” when he heard that US rapper Akon and producer Pharrell Williams wanted to work with him. The former Genesis drummer said he would consider doing something with the pair, despite admitting that he was surprised they are fans. “I’m flattered that they’ve expressed the interest publicly, risking their careers in doing so,” Collins told Rolling Stone. “Anything is possible and I certainly would investigate doing that if I did think about doing something.” Last month, Collins said he had not plans to record another solo album in a bizarre interview with The Times newspaper.
Veteran rocker Phil Collins is surprised to be planning a future collaboration with hip-hop star Pharrell Williams because he thinks of himself as “tremendously unfashionable”. The Genesis star, who features in the latest Grand Theft Auto game, refuses to do anything he doesn’t feel comfortable with. He says, “I generally do things that are tremendously unfashionable. (But) if you start worrying about that you do things that aren’t really true to you. “Music critics tend to put people in boxes, but if you actually talk to the people involved, there’s a much more open field. “For example, Pharrell Williams and I are desperate to work together. I’m always surprised when young black kids come up to me and say, ‘Yeah man, I love (your 1989 album) but seriously.’”
Billboard Nagazine (May 17th). Robin Thicke’s soulful evolution continues on his highly anticipated third solo album, “Something Else,” as he takes a more uptempo stance. Thicke returns with a tighter (11 tracks) set that cohesively frames his potent mix of contemporary and classic R&B. Lead single “Magic” percolates with ’70s funk. On other tracks, the singer/musician shifts from Jimi Hendrix-spiked soul to Marvin Gaye mellow. He wrote and produced the entire album, forgoing cameos. That’s a departure from his 2006 platinum breakthrough, “The Evolution Of Robin Thicke,” which he co-wrote and co-produced with The Neptunes and sported guest turns from Lil’ Wayne and Pharrell.
Robin Thicke – Something Else (2008) (Due September)
– Magic (First Single)
– Sidestep (Second Single)
– Dream World
– Sweetest Love
– Mr. Loverman
From Their Blog: Our friends from Gakcity.com interviewed us before our Cutting Room show and put up the interview (with some footage from the show, including Pharrell’s infamous intro). Check it out, ladies. Bee Tee Dub, folks, Max really does begin each day with an eightball and a blow job. Don’t tell his mom, please. Seriously, guys. Don’t.
How did Pharrell keep this beat away from Madonna? It’s his best in a while—electro-dance that makes me want to put some cardboard out on the sidewalk and practice my moves. (Anybody want to school me on the source?) Common’s staid, cheesy flow even fits the retro “yes, yes, y’all” vibe. This is easily the most immediately likable track I’ve ever heard from Common, possibly because it’s the first one where the beat grabbed my attention before the lyric, without being Kanye bombast.
Recently, Parlour hit the studio to hear John Legend’s new as-yet-untitled album, slated for this fall. First reaction? The collection sounds nothing like him and Johnny is getting hornier as his catalog increases. From 808 drums to space age chords, this time the Ohio native is taking his audience closer to the urban solar system than the 1950’s renaissance he created on his last LP, Once Again. But don’t worry his first video should drop in early May so you’ll see what we mean. Nestled in New York’s Legacy Studios, Parlour sat down with the cuddly piano player to find out his top five artists, whether this album is aiming for MTV’s crowd and why his songs sound like he spent a few nights at the strip club.
P: Do you have a second single in mind after Green Light
L: It may be “It’s Over” with Kanye, written by Pharrell Williams or may be “Everybody Knows.” But we think we have at least six singles. Even with Get Lifted we released four singles, and then with “Once Again” we released six and we’ll probably do six this time.
“here we’re back to classic john, through acoustic instruments and surprisingly, The Neptunes produced it. we don’t think the duo made the Once Again credits so it’s good to see The Neptunes and John back together again.
John Legend – Untitled (Due September)
– Green Light feat. Andre 3000 (First Single)
– Satisfaction (Will.I.Am)
– Everybody Knows
– No Other Love feat. Estelle
– Cross The Line (Will.I.Am)
– This Time
– Good Morning
– Aim High (Neptunes
– It’s Over feat. Kanye West (Neptunes)
Madonna has revealed that producer Pharrell Williams reduced her to tears during the making of her recently-released “Hard Candy” album. “He made me cry. I’ve never told that to anybody!” the singer said during an interview in Cannes this week. “You know when you get angry with someone and you start spitting snot?” In an interview with ABC’s ‘Nightline’ TV show which aired last night (May 22), Madonna explained she was in a sensitive mood, and did not like the way the producer spoke to her while she was recording vocals.
“I was in a sensitive mood, I was singing and I didn’t understand the rhythm that he wanted me to sing in, and he was kind of giving me a hard time and I was sort of taken aback by the way he was talking to me, so I said ‘You know what? we need to talk’”, she said “So we went upstairs and I’m like ‘You can’t talk to me that way!’ and then I just burst into tears and he was like ‘Oh my god, Madonna has a heart!’, and I was like ‘What?!’ and I started crying even more, and we had it out. Now I love him and we make great music together, but I think we had to go through that.”
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